Challenges in Dressage Sport: Music & Deafness

In an initial discussion with Ruth, Laurentia explained that there are three categories in dressage – the first two (individual championship and team championship) do not have any musical accompaniment; however, the third category, freestyle, requires the rider to perform a floorplan to music, and is the category that Laurentia finds challenging due to her profound deafness:

“[In freestyle] you have to match the music. But I’m deaf… I can’t tell when it’s the right time to slow down or speed up or do a movement. So I focus on the horse… I focus on the technical aspects. If I don’t match the music – tough! It means it’s possible that my score will be lower.”

At WEG, Laurentia rode to a piece that was specifically composed for her by Dressage composer Tom Hunt. Laurentia had asked Tom to keep the music relatively simple with no sudden changes and had sent him a video of her floorplan for him to analyse and find a matching tempo. As she had no knowledge of the various elements of music, Laurentia trusted Tom to write accordingly.

However, she came seventh out of eight and was disappointed. She felt that her horse, Sherlock, was unsettled which disrupted the performance and affected the marks. Others who achieved higher marks had competed to the likes of Ravel’s Bolero and themes from Forrest Gump.

During the competition, Laurentia had the help of a Sign Language Interpreter, stood next to a judge, to signal when the music had started and ended. However, she feels that this doesn’t give her adequate access to the music during a performance or competition:

“I feel that there is technology out there that can help me to feel the music, but I just don’t know what there is. Or if I could have a live orchestra there so I could see what they were doing in real-time, that would be amazing!”

In response to being asked how she feels about learning more about music by working with professional musicians including Tom Hunt and Dame Evelyn Glennie, Laurentia said “Fantastic! I’m so excited! Being able to access the music will definitely support me with how I steer my horse.”

Videos edited and transcribed by Eloise Garland.

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Dressage and the Art of Music Composition

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The Silver Moon